v2.01, 7/03//2015
Dictionary of Martial Arts Terms (Japanese to English)
For Jujutsu and Judo
Age .................Upward or rising
Age empi uchi ..................Upward elbow strike
Age uke .................Upper or rising block
Ago .................Jaw, chin
Ai .................To meet/unite (harmony or union)
Aiki .................Uniting with the life force
Aikido .................Way of uniting with the life force (way of harmony)
Aiki jujutsu .................Flexible art of uniting with the life force (developed from .....................................Oshikiuchi of the Aizu Clan)
Aiki nage .................Throw employing principles of aiki
Aiki waza .................Joining techniques based on the principle of ki
Aita .................Opponent, adversary
Anza .................Sitting cross legged (not same as seiza)
Ashi .................Foot (also leg)
Ashi ate .................Foot/leg strikes
Ashi garami .................Foot entanglement (joint locking technique)
Ashigaru .................Lowly foot soldier in feudal Japan
Ashigatana .................Foot sword (a kick with outside sharp edge of foot)
Ashi guruma .................Leg wheel
Ashi hishigi .................Leg crush
Ashi kubi .................Ankle (lit. neck of leg)
Ashi kubi hishigi .................Ankle crush
Ashi waza .................Foot/leg techniques
Atama .................Head
Atama tsuki.................Head butt
Atemi .................Body blows (from "ateru" to strike and "mi" for body)
Atemi waza .................Body striking (using any body part as weapon)
1. uraken uchi... (backfist strike)Ayumi ashi .................Natural walking
Bakufu .................Administrative bureaucracy of feudal Japan (government)
Bo .................Staff about six feet long
Bokken .................Wooden sword
Budo .................Way of the Warrior (stress broader goals and values than Bujutsu)
Budo seishin .................Spirit of Budo
Bojutsu .................Art of the staff
Bugei .................Classical martial arts (same as bujutsu)
Bushi .................Japan's warrior class
Bushido .................Way of the warrior
Bujutsu .................Fighting arts of Japan's warrior class. Martial Arts
Chikai .................Near, close to
Chikake .................Adam's apple
Chikama No Waza .................Techniques of distance fighting
Chikara .................Physical strength
Chikara kurabe.................Strength comparison (an ancient combat method)>
Choku tsuki .................Straight punch
Chudan .................Middle (of body)
Chuden .................Intermediate level transmissions or teachings
Chui .................Referee's warning in contest judo
Chusoku .................Ball of foot
Dachi (also Tachi) .................Standing; stance
Daito Ryu Jujutsu .................Martial system originating in Aizu Clan. Based on ...............................................principles of Aiki Jujutsu
Dakiage .................High lift (embracing lift)
Damashi .................Deception, feint (n)
Damasu.................To deceive, to feint (v)
Dan .................Black belt grade
De ashi barai .................Front foot sweep
Debana .................Moment of opportunity. Timing in execution of technique
Den .................To teach, transmit
Densho .................A martial system's written teachings and traditions
Deshi .................Disciple, student
Do .................The Way. A spiritual path stressing borader values and goals than jutsu type arts
Dochu no sei .................Calmness within motion
Dogi .................Uniform for practicing the way (of the martial arts)
Doitashi mashite .................You are welcome!
Dojime .................Application of leg scissors to body
Dojo .................Place of the "Path" or the "Way" (where the art is practiced)
Doko? .................Where?
Dokko .................Pressure point below the ear
Domo arigato .................Thank you very much
Dori .................To grab; seize
Dozo .................Please
Eimeiroku .................Roster of class attendance
Empi (also hiji) .................Elbow
Empi uchi .................Elbow strike
Fudo dachi .................Rooted stance
Fudo no seishin .................Spirit of the immovable mind
Fudoshin .................Immovable mind. Remaining calm, maintaining presence of ..................................mind under pressure
Fukushiki kokyu .................Deep abdominal breathing
Fumikiri .................Cutting kick
Fumikomi .................Stamping kick with side of foot
Furimi waza .................Evasion/dodging techniques
Fusegi waza .................Escape/defensive techniques
Fusegu (v) .................To defend
Gaeru (v).................To change, reverse, go back
Gaeshi.................A twist, turn, reversal, counter (n) (from Gaeru; also Kaeru)
Gammen .................Face
Gammen tsuki .................Thrust punch to face (jab)
Gari .................Reap
Gashizahira .................Base of calf
Gatame .................Hold, lock
Ge...........................................Low
Gedan .................Low level (below waist)
Gedan barai .................Low (sweeping) block
Gedan juji uke .................Low cross (arm) block
Gedan kekomi .................Thrusting kick to groin region
Gedan shuto uke .................Low knife-hand block
Geiko (n) .................Training
Gendai .................Modern (typically post Meiji Restoration period of 1868)
Genin .................Low ranking ninja
Geri .................Kick
Getsuei .................Edge of rib cage
Gi .................Martial arts uniform (as in judogi)
Go .................Five
Godenko .................Pressure point on neck
Goho ate .................Five directions strikes
Goho geri .................Five directions kicks
Gohon .................Five-finger strike
Gokui .................Secrets or mysteries of an art
Gokyo No Waza .................Techniques of the path to the Five Principles
Gomennasai .................Sorry
Go No Sen .................Late initiative (after opponent's attack). Often defined as a counter attack; a defensive response.
Gorin no Sho .................Book of Five Rings (Musashi's book)
Goshi (Koshi) .................Hip (as in Ogoshi)
Goshin jutsu .................Art designed for personal defense (in Kodokan judo)
Guruma .................Wheel (as in Oguruma)
Gyaku .................Reverse, opposite, contrary, the other way
Gyaku cho .................Unfavorable or adverse condition
Gyaku ni .................The wrong way
Gyaku te .................Reverse hand or arm (an arm bending technique)
Gyaku tsuki .................Reverse punch
Gyaku juji jime .................Reverse cross strangle
Hachi .................Eight
Hachidan .................8th degree black belt holder
Hachigi dachi .................Ready (yoi) stance
Hachiwari .................Helmet splitter (n)
Hadaka jime .................Naked strangle
Hai .................Yes
Haimen zuke .................Pistol against back
Hairi kata .................Entries into groundwork
Hakuda .................Unarmed close quarter fighting techniques
Haishu .................Back of the hand
Haishu uchi .................Back hand strike
Haisoku .................Instep
Haisoku geri .................Instep kick
Haito .................Ridge hand
Haito uchi .................Ridge hand strike (near thumb and forefinger area)
Hajime .................Begin! (command)
Hakama .................Wide pleated pants (skirt-like) worn over regular judo or ...............................jujutsu pants
Hakko Ryu Jujutsu .................Martial system founded in 1941 by Okuyama ................................................Ryuho sensei
Hakuda .................Unarmed close quarter techniques
Hana .................Nose
Hanbojutsu .................Art of short staff techniques
Hane .................Spring (as in Hane goshi).
Hane goshi .................Springing hip throw
Hanekaeri.................A rebound, bounce back, a return, a transformation (n)
Hanekaeru.................To rebound, bounce back, return, restore, transform (v)
Hane makikomi .................Springing winding throw
Hantei .................Decision! (referee's request upon completion of scoreless judo .............................match
Hanshi .................Rank in classical martial arts systems equivalent to 8th to 10th .............................degree black belt ("examplary master")
Hansoku make .................Disqualification (in contest judo)
Hapkido .................Korean martial art originally derived from Takeda's Daito Ryu Aiki Jujutsu
Happo No Kuzushi .................Directions of breaking balance
Hara .................Stomach, center just below navel
Harai tsurikomi ashi .................Lift-pull foot sweep
Harai .................Sweep
Harai goshi .................Sweeping hip throw
Hazushi (n) .................Escape (as in Kote Hazushi) See also Hodoki as in Kote Hodoki
Hazusu (vb) .................To remove; unfasten; to slip out; to dislocate; escape
Heian .................Tranquil or peaceful mind
Heifuku kumiuchi#9; .................Grappling in stree clothes
Heiho .................Military strategy and principles
Heijo shin .................Normal state of mind
Heisoku dachi .................Attention stance
Henka .................A derivation, development or variation from a basic form or ............................technique
Hichu .................Windpipe/base of throat
Hidari .................Left, left side
Hidari shizen tai .................Left natural stance
Hiden .................Concealed, hidden, secret
Hidensho .................Hidden/secret mnuscripts
Higi .................The "inner" secrets of a technique
Hiji .................Elbow (also empi)
Hiki .................Pulling (n).
Hikiwake .................A draw (in contest judo)
Hineru (v) ...........To twirl or twist in a circular fashion (as in Kote Hineri)
Hishigi .................Crush, break, lock
Hittsui .................Knee (also hiza)
Hittsui geri .................Knee strike
Hiza geri .................Knee strike
Hiza guruma .................Knee wheel
Hiza kansetsu osae .................Knee lock press
Hiza tsui .................Hammer blow delivered with knee
Ho (n).................Method, law (as in renko ho - methods of arrest)
Hodoku (vb) .................To unfasten, disentangle, loosen, to take apart. ypically used to mean "escape"
Hodoki (n) ................. Escape (as in Kote Hodoki - wrist escapes)
Hojojutsu .................The martial art of tying with the rope
Hombu .................Headquarters
Hon .................Basic, foundational
Hontai .................State of continued alertness
Iaido .................The way of drawing and cutting with the katana
Ichi .................One
Ichitaita .................One against many
Idori .................Kneeling techniques
Ikaga desu ka? .................How are you?
Ikkajo.................First level teachings or principles (in aikido)
Ippon .................Full point in a contest. Also the numeral one
Ippon ken (tsuki) .................Single knuckle fist punch
Ippon kumite .................One step sparring
Ippon Seoi Nage .................One-arm shoulder throw
Irimi Nage .................Entering throw
Irimi waza .................Entering techniques (techniques of moving toward or past ......................................opponent without clashing or colliding)
Itsutsu No Kata .................Ancient Forms of Five (unfinished)
Iye .................No
Jigoku jime .................Hell strangle
Jigotai .................Defensive posture
Jikishin Ryu Judo.................Early jujutsu system founded by Masayori in 1724
Jime .................Strangle
Jinchu.................Vital striking area between upper lip and nose
Jita kyoei .................Mutual benefit and welfare (Kano's second principle of judo)
Jiyu kumite .................Free sparring.
Jiyu renshu .................Free practice (randori)
Jo .................Short staff, about four feet. Also principle, high, upper
Jodan .................Upper (includes head region)
Jodan juji uke .................High cross block
Jodan mae geri .................High front kick (to the face)
Joden .................High level transmissions or teachings (advanced)
Jojutsu .................Art of short staff techniques
Joseki .................High seat of honor in dojo
Ju .................Ten (numeral). Also yielding, flexibility
Judo .................The "way of yielding/flexibility." Yielding has both physical and ..........................psychological dimensions and as such it also implies strategy. Thus, ..........................when attacked one does not simply yield but does so with a purpose. Judo ..........................therefore, may also be interpreted as "the way of tactical flexibility"
Judoka .................Judo practitioner
Ju-ichi .................Eleven
Juji .................Cross (as in juji uke, cross block)
Juji gatame .................Cross-body arm lock
Juji nage .................Crossed arm throw
Juji uke .................Cross block
Jujutsu .................The art of yielding and flexibility (physical and strategic). Generic term originally .........................applied to all Japanese systems of hand to hand combat in which the opponents are ..............................unarmed or minimally armed with small weapons (e.g. short sword or dagger)
Jujutsuka.................Jujutsu practioner
Jukenjutsu .................Art of bayonet techniques
Jukugashira .................Head student
Jumbi undo .................Warm-up exercises
Ju No Kata .................Forms of Gentleness/flexibility
Ju no ri .................Principle of flexibility
Jushin .................Flexible, yielding, or soft mind or heart
Ju yoku go o sei suru ..........Softness controls hardness
Jyu kumite .................Free sparring
Kabuto .................Helmet worn by Japanese samurai
Kachi .................Win! (referee's exclamation in contest judo)
Kachikake.................Point of chin (vital striking area)
Kaeshi waza .................Countering techniques
Kagi tsuki .................Hook punch
Kai (Kwai) .................Society, organization, club
Kaiden .................Fourth level teaching license in classical martial arts systems beginning with Shoden, Chuden and Okuden Menkyo
Kaisho .................Open hand
Kaisho no den .................Spreading fingers when wrist is seized
Kakae dori (also ushiro) .................Rear bear hug
Kakari geiko .................Attack training
Kakato .................Heel
Kakato geri .................Heel kick
Kake .................Execution phase of a technique
Kake Jo .................Principles of technique execution (in Wa Shin Ryu Jujutsu)
Kake uke .................Hook block
Kakushi jutsu ................Art of using hidden (small) weapons
Kamae .................Basic attack/defense postures
Kami .................Divine
Kami shiho gatame .................Upper four-quarters hold
Kamiza .................Place of honor; chief seat
Kan .................Intuitive perception. A traditional way (and often silent) of learning martial arts. Student ..............................................learns by example, not through discussion or explanation
Kangeiko .................Winter judo training
Kani basami .................Crab spin (a type of takedown)
Kano, Jigoro .................Founder of Kodokan Judo
Kansetsu waza .................Joint locking techniques
Kappo .................Resuscitation techniques. Also "katsu"
Kara .................Empty, void
Karate .................A martial art involving strikes and kicks (lit. "empty hand")
Kasumi .................Temples (side of head). Vital striking area
Kata .................A formal sequence of techniques. Also means "shoulder"
Kata dori .................Seizing of the shoulder
Kata guruma .................Shoulder wheel throw
Kata ha jime .................Single wing strangle
Kata juji jime .................Half cross strangle
Kata mawashi .................Shoulder turn
Katame no waza .................Techniques of grappling
Katana .................Japanese long sword
Katate .................One hand/arm
Katate age .................One hand lift
Katate dori .................One hand/arm (same side) wrist hold
Katate dori ryote mochi .................Seizing opponent's wrist with both hands
Katate jime .................One hand strangle
Katate kosa dori .................Single hand cross wrist hold
Kawazu gake .................One leg entanglement or block
Keage geri .................Snap kick
Keichu .................Back of neck
Keikoku .................A serious caution or warning (penalty) in contest judo
Ken.................Sword (as in kenjutsu); also power or authority; fist
Kendo .................The way of the sword (Japanese martial art)
Kenpo .................Way of the fist
Kenpo Taijutsu (or Hade) .................A jujutsu style stressing the use of atemi prior to engaging in close quarter fighting
Keppan .................Blood oath
Keri waza .................Kicking techniques
1. ashi gatana geri (kick with outer knife edge of foot -sokuto)Kesa .................Scarf, lapel, across
Kesa gatame .................Scarf hold
Kesa geri .................Diagonal (cross body) kick
Ki .................Vital energy, life force
Kiai .................Spirited shout or yell. Harmonizing the vital force
Kiaijutsu .................Art of employing kiai
Kiba .................Straddle
Kiba dachi .................Horse stance
Kiba sen.................Combat on horseback
Kibisu gaeshi .................Heel trip
Kihon .................Basic
Kihon kumite .................Basic sparring
Kime .................Decision/Focus
Kime No Kata .................Forms of Decision
Kin geri .................Groin kick
Ki no dashikata .................The projection of life energy or vital force
Kinteki .................Groin
Kiotsuke .................Attention! (command); (lit) drive up your ki; liven up; take care (from verb tsukeru)
Kiri................. A slash, cut
Kirikaeshi .................Process of reversing or countering an aggressor's cutting motion
Kirikomi .................Downward slash
kiritsuke .................Cutting action
Kishomon.................Vow upon joining a classical martial art system
Kito Ryu Jujutsu .................Founded in 1650 by Ibaragi Sensai sensei.Emphasizes throwing and served as basis for development of throws in judo
Kizami tsuki .................A jab/thrust
Ko .................Minor, small
Kobo ichi .................Unity of offense and defense
Kobudo .................Classical martial arts and ways
Kodansha .................Person holding advanced rank
Kodokan .................World Headquarters of Judo in Japan (lit. "school for studying the way")
Kogeki .................Attack (n)
Kogi judo .................Judo in the broader/wider sense (stressing moral development)
Kogusoku .................Small weapons (such as the dagger)
Kohai.................Junior student (in seniority and/or rank, as opposed to Sempai-senior)
Koka .................A minor point (score) in judo contest (lit. effective)
Koken uchi .................Strike with back of wrist (bent wrist)
Kokoro .................The mind (also heart or spirit)
Kokyu .................Breathing. Also refers to entrapping aggressor in one's own ki
Kokyu-ho .................Breath control
Kokyu nage .................Breath throw
Komi .................Pull, pulling, drawing in (as in uchi komi)
Kondanwa .................Good evening
Konichiwa .................Good afternoon, hello
Koppo .................Unarmed grappling
Koryu .................Classical/ancient
Koryu Bujutsu .................Ancient arts of the warrior
Kosa .................An intersection; a crossing
Kosa dachi .................Crossed leg stance
Koshi .................Hip
Koshi guruma .................Hip wheel
Koshiki No Kata .................Kata of Ancient Forms
Koshi Guruma .................Hip wheel throw
Koshi jime .................Hip strangle
Koshi no mawari .................A jujutsu system that uses minor weapons (lit. about the loin)
Koshi waza .................Hip techniques
Kosoto gake .................Minor outer hooking throw
Kosoto gari .................Minor outer reaping throw
Kote .................Forearm (between wrist and elbow)
Kote gaeshi .................Twisting the forearm (wrist) outwards). A reversal
Kote hineri .................Twirling (twisting) the forearm inwards
Kote mawari .................Forearm twist
Kote mawashi .................Circular forearm twist (or lock). Same as Age Tekubi Gaeshi
Kouchi gari .................Minor inner reaping throw
Kowami .................Unarmed grappling
Ku .................Nine
Kubi .................Neck
Kubi nage .................Neck throw
Kuden.................Oral teachings, transmissions
Kumi.................Seize, grapple with
Kumikata .................Methods of seizing the gi in judo
Kumite ................."Attack" (n). Sparring or freestyle combat training
Kumi uchi .................Methods of seizing opponent's clothing for close quarter ..................................fighting. Combat by grappling
Kusazuri .................Calf
Kuzure kesa gatame .................Modified/broken scarf hold
Kuzushi .................Breaking of balance (process of uncentering)
Kyogi judo .................Judo in the narrow sense (one that stresses only technique)
Kyokuchi .................Pressure point near elbow
Kyoryoku (adj) .................Powerful
Kyoshi .................Rank in classical systems equivalent to 6th or 7th degree black belt
Kyu .................Rank level below black belt
Kyudo .................The way of archery
Kyusho .................Vital points/pressure points. Anatomical weaknesses
Kyusho-jutsu .................The art of pressure point tehniques
Ma-ai .................Combative distance (both physical and psychological between opponents)
Mae .................Front
Mae geri .................Front kick
Mae geri keage .................Front snap kick
Mae geri kekomi .................Front thrust kick
Mae hiji ate .................Front elbow blow
Mae tobi geri .................Jumping front kick
Maeude deai uke .................Forearm press block
Maeude hinieri uke .................Forearm twist block
Maitta .................I quit, I'm beaten! (exclamation)
Majutsu .................Art of techniques of invisibility
Make .................Defeat
Maki .................Wrapping/winding (as in makikomi)
Maki gaeshi .................Wrapping reversal
Makimono .................Scroll (also maki for short)
Makiwara .................Punching board
Makura kesagatame .................Pillow scarf hold
Manabu .................To learn by imitating (the instructor)
Ma sutemi waza .................Rear sacrifice technique(s)
Matsukaze .................Left carotid artery
Matte .................Wait! (command)
Mawashi empi uchi .................Roundhouse (circular) elbow strike
Mawashi geri .................Roundhouse kick
Mawashi tsuki .................Roundhouse punch
Meijin .................Sage, master
Meiso .................Meditation
Men .................Face
Menkyo .................Teaching license in classical martial arts systems
Menkyo kaiden .................Highest teaching license in classical martial arts ............................................systems (implies transmission of all knowledge)
Metsuke .................Focusing of eyes and their strategic use in combative situations. .................................................................Ability to perceive an attack
Mi .................The body (as in atemi, body strikes, or ukemi, blocking/receiving impact with body-breakfalls)
Migi .................Right (side)
Migi eri dori .................Right lapel hold
Migi jigotai .................Right defensive posture
Migi shizentai .................Right natural posture
Mikazuki geri .................Crescent kick
Mikazuki tsuki (or uchi) .................Crescent-hand strike
Mimi .................Ears
Mizu.................Water (that which flows)
Mizu guruma .................Water wheel (throw)
Mizu no kokoro .................A mind like water (calm)
Mochi .................To hold or seize with both hands
Mokuroku .................Catalog of techniques of a martial system
Mokuso .................Meditation, contemplation. A meditative posture
Mondo .................Question and answer period
Moro .................Augmented
Morote .................Two arms/hands
Morote gari .................Two hand reap (throw)
Morote jime .................Two hand strangle (hands press on carotid arteries)
Morote juji uke .................Two arm cross block
Morote seoi nage .................Two arm shoulder throw
Morote tsuki .................Double forward fist strike
Morote uke .................Double forearm block.
Mudansha .................Non black belt holder. Mu signifies "nothing"
Muga .................Egolessness, selflessness
Mukozune .................Shin
Mukozune geri .................Strike with shin
Mune .................Chest
Mune gatame .................Chest hold
Mune oshi .................Chest push
Murasame .................Right carotid artery
Muri .................Incorrect application of force
Musha shugio .................A warrior's journey (of personal discovery and self testing)
Mushin .................No Mind (uncluttered mind). A mind not fixed on anything but open to everything
Myojo.................Vital strike area 2" below navel
Nagamaki.................Japanese glaive (has large blade)
Nagashi Tsuki .................Flowing punch (thrust)
Nagashi uke .................Flowing block
Nage no kata .................Forms of Throwing
Nageru .................To throw (v)
Nage waza .................Throwing techniques
Naginata.................Japanese glaive
Nami juji jime .................Normal cross strangle
Naname geri .................Cross body kick
Naname tsuki .................Cross body strike (oblique)
Nei kung .................Internal power (relies mostly on ki, will power and muscular strength)
Nesshin .................Enthusiasm
Ne Waza .................Ground fighting techniques
Ni .................Two
Nidan geri .................Double (jump) kick
Nidan kosotogari .................Double (attack on both legs) minor outer leg reap
Nigeru Waza .................Escape techniques
Nihon Kobuto Kyokai.................Japanese Classical Martial Arts Association
Nihon nukite .................Two finger spear hand
Ni-ju .................Twenty
Ni-ju-ichi .................Twenty one
Nikajo.................Second level teachings (Aikido)
Nukite .................Spear hand
O .................Big, large, major
Obi .................Belt
Obi dori .................Belt grab
Obi nage .................Belt throw
Ogoshi .................Major hip throw
Oguruma .................Major wheel (throw)
Ohayo Gozaimasu .................Good morning
Oi tsuki .................Forward lunge punch (same side hand and leg).
Okuden .................Inner/deeper/hidden teachings of a system
Okugi .................Secrets of a school
Okuri .................Sliding
Okuri ashi barai .................Sliding foot sweep
Okuri eri jime .................Sliding collar strangle
Omote .................Front, exposed, visible, manifest (as opposed to Ura-hidden)
Onegai shimasu .................Please work with me
Orosu.........................To lower or let down
Oroshi............................ A downward or lowering action
Osae .................To hold, press (from Osaeru - to hold)
Osae komi .................Hold-down condition (ref's call in contest judo)
Osae komi waza .................Hold-down techniques
Osae uke .................Pressing block
Oshi.................Push (n)
Oshikiuchi .................Jujutsu style practiced by samurai of Aizu clan (lit. means ....................................to practice inside, suggesting need for secrecy)
Oshi taoshi .................A frontal push-down (by pressing hands on Uke's body)
Osoto gari .................Major outer reaping (throw)
Osoto guruma .................Major outer wheel (throw)
Osoto makikomi .................Major outer winding (throw)
Osu .................To push (v)
Otoshi .................A downward dropping action (as in taiotoshi)
Otoshi empi uchi .................Downward elbow strike
Ouchi gari .................Major inner reaping (throw)
Oyo .................Practical application of a technique (as opposed to demonstration ........................version)
Ran .................Free, unstructured (war, rebellion, chaos)
Randori .................Free or spontaneous practice (unrehearsed)
Rei .................Bow (command)
Reigisaho .................Dojo etiquette
Renraku waza .................Combination techniques (involves changing direction)
Renshi .................Rank in classical martial arts systems equivalent to 4th or 5th ...............................degree black belt
Renshu .................Practice, exercise
Renshu ho .................Practice methods
Rentai ho .................Method of physical training (from Kano's three-culture principle)
Renzoku waza .................Repeated application of same or different techiques in ........................................same direction
Ri .................Principle; reason; truth
Riki .................Power, force or strength (similar to the term Ryoku). Source: Cunningham Sensei
Rikiten ........................Critical leverage point for generating maximum power. Overbalancing point. Also see Tekosayo (Source: Cunningham Sensei)
Ritsu rei .................Standing bow
Roku .................Six (numeral)
Ronin .................Masterless samurai
Ryo .................The two; both
Ryogan tsuki .................Strike to both eyes
Ryokata oshi .................Two-shoulder push
Ryoku (n).................Power
Ryokuhi .................Strength (power) dodging (technique)
Ryosu .................Founder, originator of a ryuha
Ryote .................Both hands
Ryote dori .................Seizing opponent's arm with both hands
Ryote jime .................Strangling with two hands
Ryu .................System or style of martial art (suggests continuity). Martial tradition
Ryugi .................Philosophy and principles of a system
Ryuha .................A Ryu ( a system) with classical martial traditions
Sakotsu .................Collarbone
Sakotsu shuto .................Strike on collarbone with knife-hand
Samurai .................Lower ranking warriors of feudal Japan
San .................Three
Sandan .................Third degree black belt holder
San-ju .................Thirty
Sankajo.................Third level principles (also upward reverse wrist hold in Aikido ..............................................illustrating third force or principle)
Sankaku jime .................Triangular strangle
Sasae .................Block/support/prop
Sasae tsuri komi ashi .................Blocking, lifting, pulling foot (throw in judo)
Satori .................Enlightenment
Saya.................Scabbard
Sayonara .................Goodbye
Seiken .................Front of fist (two knuckles). Also Kento (fist sword)
Seiken uchi .................Frontal strike with first two knuckle joints
Seiryoku zen'yo .................Maximum efficiency. An essential principle employed .........................................by several martial arts stressing the use of the energy of ........................................Wa and Ki from the hara. Kano's first principle in judo
Seshin .................Spiritual energy
Seito .................Student
Seiza .................Kneeling position (not to be confused with cross-legged sitting which is anza)
Sempai .................Senior student (as opposed to Kohai, junior student)
Sen .................First or former. Also means taking the initiative in combat
Sensei .................Teacher; "born before"
Sen No Sen .................To take the initiative in the face of initiative (i.e., to .....................................respond to an aggressor at the same time or shortly .....................................thereafter, but "landing" one first. An interception
Seoi .................On the back (Shoulder) as in Seoinage
Seoinage.................Shoulder throw (ippon or morote)
Seppuku .................Ritual suicide (in feudal Japan). Also Hara kiri (lit. stomach .................................slash)
Shi .................Four
Shiai .................Contest
Shichi .................Seven
Shido .................Mild warning in contest judo
Shidoin .................Instructor (below sensei)
Shihan ................."Great expert," Professor (reserved for very high ranks; e.g., Kano Shihan)
Shihanke.................Master Teacher
Shiho .................Four directions
Shiho nage .................Four directions throw
Shikko .................Moving on one knee
Shikko ho .................Walking on knees
Shime .................Strangle
Shime waza .................Strangling techniques
Shimmeisho No Waza .................New techniques (in judo)
Shimoseki .................Area where students line up
Shin .................Mind, will, spirit, heart
Shindo.................Progress, depth (as in water). Also, sacred way
Shingi ittai .................Mind and technique as one
Shinken .................Real sword; live blade (n)
Shinken shobu .................Combat with live swords (to the death)
Shinken Shobu No Kata .................Combat Forms (of attack and defense) with live swords
Shin no Shinto-ryu jujutsu .................Classical jujutsu style
Shintai .................Moving the body in different directions
Shintai Jo .................Principles of movement (in Wa Shin Ryu Jujutsu)
Shinto .................Way of the gods (Religion of Japan)
Shioku waza .................Nerve techniques
Shitage .................Uniform pants
Shitsu.................Knee (vital striking area)
Shizen hontai .................Basic natural posture
Shizentai.................Natural posture (reflecting mind-body harmony). Stand at one with nature
Shobu .................Fight; contest
Shobu dachi .................Fighting stance
Shobu ho .................Combat training (from Kano's three culture principle)
Shochugeiko .................Midsummer judo practice
Shoden .................First level transmissions or teachings
Shogun .................Absolute military ruler in feudal Japan
Shokai .................Pressure point near elbow
Shomen .................Front
Shomen Kogeki .................Frontal attack
Shomen uchi .................Frontal strike
Shotei .................Palm of the hand
Shubo .................Arm stick
Shuchu (n).................Focus, concentration
Shuchu Ryoku .................Focusing of power
Shuchu suru (v) .................To focus/concentrate
Shugyo.................Austere, severe training
Shumatsu undo .................Cooling off exercises
Shuriken.................Throwing darts/stars, etc.
Shushin ho .................Mental cultivation in a moral sense (from Kano's three culture principle)
Shuto .................Knife-edge hand (also tegatana)
Shuto uchi .................Knife hand strike
Shuto uke .................Knife hand block
Sode .................Sleeve
Sode dori .................Seizing the sleeve
Sode tsuri komi goshi .................Sleeve lifting pulling hip throw
Sogo bujutsu.................Integrated martial arts combining weapons and .........................................unarmed combat
Sogo ryuha .................Integrated/composite schools or systems
Sojutsu .................The art of the spear
Soke .................Grand master of a traditional ryu; headmaster (lit. head family)
Sokuto.................Knife edge of foot
Sokuto keage geri .................Snap kick with knife edge of foot
Sono mama .................Freeze! (command)
Sorashi .................A feint; a false attack
Sorasu Waza .................Deflection/evasion techniques
Sore Made .................That's all; the end! (command)
Sotai renshu .................Group exercises
Soto .................Outside/outer (as in Osoto gari)
Soto age uke .................Outer rising block
Soto makikomi .................Outer winding throw
Soto mikazuki geri .................Outer crescent kick
Soto shuto uke .................Outside knife-hand block
Soto ude uke .................Outside forearm block
Suigetsu .................Solar plexus
Suki .................Empty moment; loss of concentration resulting in an opening for attack
Suki o mitsukeru (v) .................To find weakness in opponent's concentration and/or defense
Sukui nage .................Scooping throw
Sumi .................Corner; angle
Sumi gaeshi .................Corner or angle throw
Sumikiri .................Shinto concept denoting a clear state of mind and perfect body
Sumimasen .................Excuse me/pardon me
Sumi otoshi .................Corner or angle drop (throw)
Sute geiko .................Alternating fitting and throwing form of training (in judo)
Sutemi-waza .................Sacrifice techniques. Throwing from one's back
Tachi (also Dachi) rei .................Standing bow
Tachi-waza .................Standing techniques
Taiho jutsu .................System of combatives used by Japanese police
Taijutsu .................Body arts
Taikai .................Big meeting; championship
Tai otoshi .................Body drop (throw)
Taisabaki .................Art of moving one's body to assume a particular position ...................................(movement control exercises/pivoting into position)
Taka geri .................High front kick
Taki otoshi.................Waterfall drop
Tame shiai .................Competing with one’s self
Tanden .................Center. Point about two fingers below navel. Same as hara
Tandoku renshu .................Individual exercises
Tani otoshi .................Valley drop (throw)
Tanto.................Knife, dagger
Taoshi................A takedown
Taosu (v)............... To knock down, bring down (Taoshi is the noun)
Tatami .................Straw mats used in the practice of certain martial arts (e.g., judo)
Tate................Vertical; height; lengthwise (as opposed to width)
Tate shiho gatame .................Vertical/Lengthwise locking four directions hold
Te .................Hand (also arm)
Tegatana .................Hand sword (similar to shuto uchi)
Teisho .................Palm heel (of hand)
Teisho tsuki .................Palm heel thrust
Teisho uchi .................Palm heel strike
Teisho uke .................Palm heel block
Teiji dachi .................T stance
Teki .................Enemy
Tekosayo .................Leverage in a mechanical sense as used to execute a throw or technique (Source: Cunningham Sensei)
Tekubi .................Wrist (lit., neck of hand)
Tekubi osae .................Wrist press
Tekubi dori .................Wrist pull
Tenbin nage .................Elbow lock throw
Tenjin (also Tenshin) Shin'Yo Ryu .......A classical jujutsu style developed by Iso ...............................................................Mataemon sensei in early 1800s. Stresses ...............................................................ground and striking techniques. Served ..............................................................as basis in development of judo
Tenkai .................Rotating, turning (n) (e.g., as in Tenkai kote hineri)
Tenkan .................Turning, redirecting, re-orienting, converting
Tenkan ho .................Body turning; taisabaki
Tento .................Top of head
Teppi.................Cloth headband worn in some traditional systems
Tesabaki .................Arm/hand movements
Tessenjutsu.................Art of the iron fan
Tettsui uchi .................Hammer fist strike
Te-waza .................Hand/arm techniques
Tobi (n) .................A jump; leap
Tobi geri .................Leaping kick
Tobiagaru .................To jump, leap (v). Also tobu (v)
Tohma No Waza .................Techniques of distance fighting
Toho sen .................Combat on foot
Tokui waza .................Favorite techniques
Tomoe .................Circle
Tomoe nage .................Circle throw
Tori .................Defender, demonstrator of technique
Torite ................Art of capture and restraining ("catching hand")
Toshi.................Year (calendar)
Tsubame gaeshi .................Swallow foot counter technique
Tsugi ashi ................."Following feet." Moving with one foot leading, the other following
Tsuka dori .................Seizing hilt of sword
Tsukareteiru.................Tired, fatigued (adj)
Tsuki.................A thrust, jab (n)
Tsuki age .................Uppercut. Rising punch
Tsukkake .................Stomach punch
Tsuki Waza .................Techniques of striking with hand/fist (jabbing)
Tsukkomi jime .................Thrust strangle
Tsuku (v).................To thrust
Tsukuri .................Positioning to execute technique
Tsuri .................Lift, raise (as in tsuri goshi)
Tsurigane .................Scrotum, testicles (vital strike area)
Tsuri goshi .................Lifting hip throw
Tsuri komi goshi .................Lifting and pulling hip throw
Uchi .................Inner, or Strike.
Uchi chudan uke .................Inside middle block
Uchideshi .................Special disciple (member of inner circle of students)
Uchikomi .................Repeated execution of same technique (lit. inside pulling)
Uchikudaki .................Smashing (Kito Ryu technique)
Uchi mata .................Inner thigh throw
Uchi oroshi .................Downward strike
Uchi waza .................Striking techniques
Ude .................Arm
Ude ate .................Arm strikes
Ude garami .................Entangled (coiled) arm lock
Ude gatame .................Arm joint lock (applied to elbow)
Ude uke .................Arm block
Uke .................Block (e.g., jodan uke); also, receiver, on whom tori applies technique
Ukemi .................Breakfalling (lit., receiving fall with body)
Ukemi waza .................Breakfalling techniques
Ukeru (v) .................To receive
Uki .................Floating
Uki goshi .................Floating hip (throw)
Uki otoshi .................Floating drop (throw)
Uki waza .................Floating throw
Unsoku .................Foot movement
Ura .................Back, rear, reverse or hidden
Uraken .................Back fist strike
Ura nage .................Back/rear throw
Ushiro .................Rear
Ushiro dori .................Rear grab. Bear hug from rear
Ushiro eri dori .................Collar hold from rear
Ushiro geri .................Rear kick
Ushiro goshi .................Rear hip throw
Ushiro Kogeki .................Rear attack
Ushiro sumi tsuki .................Rear corner jab
Uto.................Vital striking area between eyes
Utsuri goshi .................Shifting hip throw
Utsuru.................To displace; shift
Uwagi .................Jacket as worn in jujutsu and judo
Wa .................Harmony; state of mind
Wai kung .................External power (relies mostly on muscular strength, speed and agility)
Wakari .................Separation (n) (as in Yoko wakari). From wakaru, to separate, ...............................divide
Wakarimas? .................Do you understand?
Wakarimasen .................I don't understand
Waki .................On the side
Waki gatame .................Side joint lock (to elbow)
Wakizashi .................Short sword (side companion)
Wan .................Arm
Wa Shin Ryu Jujutsu .................A jujutsu style founded by Dr. Andrew ...................................................Yiannakis in 1983. Stresses integration of ....................................................Principles of Power (Chikara, Shin and Ki) with ....................................................Principles of Movement, Principles of Execution and Combat ....................................................Strategy (Heiho)
Waza .................Technique
Wazaari .................A half point in judo contest (almost ippon)
Yama .................Mountain
Yama arashi .................Mountain storm throw (Daito Ryu jujutsu technique used by Saigo Shiro in ........................................match between the Kodokan and the jujutsu masters). Based on principles of ......................................Oshikiuchi
Yama bushi .................Mountain warriors.
Yame! .................Finish! cease! stop! (command)
Yanagi Ryu Jujutsu .................Aiki Jujutsu style founded by Yoshida Kenji ................................................sensei
Yari .................Spear
Yawara .................Older name for Jujutsu (lit. means gentleness, softness)
Yoi .................Ready (command)
Yokei .................Pressure point near wrist
Yoko .................Side
Yoko empi uchi .................Side elbow strike
Yoko gake .................Side body drop (throw)
Yoko geri .................Side kick
Yoko Kogeki .................Side attack
Yoko guruma .................Side wheel
Yoko men uchi .................Strike to side of head
Yoko otoshi .................Side drop
Yoko shiho gatame .................Side four quarters holding technique
Yoko sutemi waza .................Side sacrifice technique(s)
Yoko tobu geri .................Jumping side kick
Yoko uchi .................Side strike
Yoko wakari .................Side separation (throw)
Yon.................Four
Yondan.................Fourth degree black belt holder (also Yodan)
Yonkajo.................Fourth level principles (Aikido)
Yoroi kumiuchi .................Grappling in armor on the battlefield
Yoshi .................Continue! (command)
Yoshin .................Flexible mind, heart. Used to denote psychological/tactical flexibility in ..................................................Wa Shin Ryu Jujutsu
Yoshin Ryu jujutsu .................Ryuha founded by Akiyama Yoshitoki. School of the willow (flexible) heart or spirit
Yubi .................Finger (as in Yubi nage, finger throw)
Yubi gatame .................Finger lock
Yudansha .................Black belt holder
Yudanshakai .................Black belt association
Yugen .................Secret skills
Yuko .................Value awarded in contest judo
Yumi.................Bow (n)
Yusei gachi .................Winner by decision! (in contest judo)
Zanshin .................A state of concentration following the completion of a ................................technique. End vigilance
Za rei .................Kneeling bow
Zen .................All; totality
Zenkutsu dachi .................Forward stance
Zenpo .................In front; forward
Zenpo kaiten .................Forward spinning/rotating roll
Zenpo tobi ukemi .................Forward jumping spinning breakfall
Zen tenkan (v) .................To make semi circle around own axis (form of taisabaki)
Zori .................Thongs, sandals (dojo footwear)
Zubon .................Pants (trousers)
Counting to Ten in Japanese
Ichi - One
Ni -Two
San - Three
Shi - Four
Go - Five
Roku - Six
Shichee - Seven
Hachi - Eight
Ku - Nine
Ju - Ten
Days of the Week
Monday - Getsuyobi
Tuesday - Kayobi
Wednesday - Yobi
Thursday - Mokuyobi
Friday - Kin Yobi
Saturday - Doyobi
Sunday - Nichiyobi
Today - Kyo
Yesterday - Kino
Tomorrow - Ashita
Month - Tsuki (n)
Year - Toshi (calendar)
Rank System in Wa Shin Ryu Jujutsu
Thank you very much - Domo Arigato
You are welcome - Doi Tashi Mashite
Aiki Jujutsu, Aioi Ryu, Araki Ryu, Budoshin, Daito Ryu, Danzan Ryu, Hakko Ryu, Hogu Jutsu, Iga Ryu, Isshin Ryu, Jikishin Kage Ryu, Kito Ryu, Kowami Ryu, Kuki Shin Ryu, Kumiuchi Ryu, Kushin Ryu, Miyama Ryu, Muteki Ryu, Oguri Ryu, Saigo Ryu, Samurai Jujutsu, Seigneury Jujutsu, Sekiguchi Ryu, Shin No Shindo Ryu, Shibukawa Ryu, Shinkage Ryu, Sosuichi Ryu, Takagi Ryu, Takenouchi Ryu, Takeuchi Ryu, Tenjin Shin'yo Ryu, Togagure Ryu, Yagyu Ryu, Yamato Ryu, Yanagi Ryu, Yoshin Ryu, among many others
Acknowledgment
I am indebted to Dr. Steve Cunningham (7th Dan, Takagi Ryu Jujutsu, 6th Dan Judo) for assisting with the translation of some of the terms in this document. I alone am responsible for any errors or omissions.
NOTE: Kindly report errors or omissions to Andrew Yiannakis at: ayian@attglobal.net